Stone Fruit is an exploration of the performative femininity intrinsic to my experience with chronic illness and it’s impact on my relationship with myself and others. Large-scale alternative process photographic prints of my own MRIs and self-portraiture are displayed alongside contact prints of vintage garments, lingerie, and flower petals; blood vessels, reproductive organs, and tissue become akin to the folds of fabric, pencil-lines of plant matter, and the boning of a corset.
Thematic elements of each image are staged in a papier-mâché tableau, referencing classic vanitas still life paintings. From the picked-clean pelvic bone, to a floral arrangement teeming with bugs, each paper sculpture is an uncanny facsimile of a real-life object. This is a false and flat, but appealing, reflection of the reality of inhabiting an inherently unreliable body. From afar, the illusion of normalcy is present.
Take a closer look, however, and there is something lurking under the surface, a poisonous pit hidden in the flesh.